Showing posts with label DOI distribution. Show all posts
Showing posts with label DOI distribution. Show all posts

Tuesday, August 11, 2009

Jeremy Fisher


"Dude, it's like a cross between Bob Dylan and Paul Simon."







So a few good ol' folks went to see Xavier Rudd at The Pageant just this past weekend in St. Louey, Missouey.  I found myself among them.


Woah.  Don't know if any of you have had the chance to catch Xavier live yet.  But if the dude is playing within 100 miles of where you find yourself at the moment, start makin' moves that way.  You'll be doing yourself a HUGE favor.  But more on that later.  I only have time for the opening act tonight.  Ladies and gentlemen, Mr. Jeremy Fisher.



With regards to this particular video (over 2 million hits, mind you)...

“I wanted there to be something out there that was from me—that wasn’t based on marketing—using what I had in my apartment as creatively as possible,” he says. “Just to be out there and relate to people in that way, and say, ‘Here’s something from me that I made for you. I can’t answer every email, but I want you to know that we’re communicating.’ It’s very important to me to be authentic in everything I do and find a creative way to get it all done. I remember being 12 years old and sending fan letters to pro skateboarders, hoping they’d get to read it and hoping they might write back. So I know what it feels like.”

Check out the rest at Jambase.  Very cool to see an artist actually making those moves, bridging the gap between artist and listener (whether or not this is "based on marketing" is a different discussion).  His YouTube series, "For Real with Jeremy Fisher," speaks more to this.  For this reason, and this reason alone, I'm a fan.  And then there's the music.

Here's a nod to the Bob Dylan comparison...



...and to the Paul Simon comparison...



Yea, it's pretty poppy.  I have several comments to make on the subject that I just don't have time for right now.  Suffice to say, I'm fairly convinced that the same rhythms, melodies and tones that have characterized what we think of as "Pop" music are making their way onto our stages, onto our iPods and into our brains.  For some of us, if not most of us, this is happening despite our best efforts.  This isn't necessarily a bad thing.  In fact, I dug it last Saturday.  I know for a fact that Mr. Gumthum tons-o-fun dug it, too.  So did Xavier. (Ha!)  But seriously...  


And I'm sure you would of, too.  Like it or not, we should start asking ourselves why.  I hope we also see that what's taking place here is more than just a Franken-Dylan-Simon-stein monster.  I have to believe Fisher's more than just the sum of those parts reproduced for new audiences who might not know about homesick blues (however subterranean) or Julio's schoolyard.  You'll find more on Last.fm and Myspace.  Stay funky, monkeys.

Thursday, June 18, 2009

Jack Conte

I frequent Digg.com infrequently. It's one way of finding that diamond in the rough without all the mining.  At Digg, you let other miners, or Digg'ers (ha!) do it for you.  Usually they digg things like pictures, movies and articles.  Less often do they digg music.  But today they dugg Jack Conte and I checked it out.  




What's great about this video, disregarding the actual music for a second, is the different pieces of footage detailing his recording of the song.  He does EVERYTHING: vocals, rhythm guitar, bass, drums, piano, keyboard. Presumably he even produced, filmed and directed the music video.  All from what looks like a dorm room (and I thought watching TV was cool!).  For that reason alone I have to at least give this guy a chance.  I haven't come a conclusion on the actual music yet, which is why I'm tossing it to The Shanty for the final verdict.

An added bonus.  This guy covers Gorillaz.